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Saint Paul by Philippe de Champaigne

plate no. 0034

Saint Paul

Philippe de Champaigne

oil, canvasBaroquereligious paintingfigureportraitreligiousbookdraperyhalo
some experience helpful

This painting provides a good exercise in portraiture, focusing on capturing likeness and expression through subtle value changes. Students will also learn to render drapery and textures with limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main shapes and proportions of the figure, book, and drapery.

  2. step 02

    Establish the background with a dark, muted tone, leaving space for the figure.

  3. step 03

    Block in the main areas of color for the face, hair, clothing, and book using thin washes.

  4. step 04

    Begin building up layers of paint on the face, focusing on highlights and shadows to create form.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth, paying attention to subtle value changes.

  6. step 06

    Develop the drapery by adding folds and highlights, using a combination of blending and scumbling techniques.

  7. step 07

    Add details to the book, including the spine, pages, and clasp.

  8. step 08

    Add the halo and any final highlights or details.

color palette

primary · ivory black · burnt umber · cadmium red light · titanium white

secondary · ultramarine blue · yellow ochre

Mix various shades of brown and gray by combining ivory black, burnt umber, and titanium white. Use cadmium red light to create the vibrant red of the drapery, and mix with burnt umber for darker shades. Add ultramarine blue to create the blue clothing and shadows.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Incorrect proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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