
plate no. 0008
Diego Velázquez, 1620
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using chiaroscuro to model form. It also provides practice in rendering textures like skin and hair with visible brushstrokes.
technical profile
approach — 8 steps
Sketch the basic proportions and placement of the head, shoulders, and beard.
Establish the darkest areas of the background and clothing with a dark brown or black.
Block in the mid-tones of the face, using a mix of browns, reds, and yellows.
Begin to define the light areas on the face, paying attention to the planes and contours.
Add highlights to the forehead, nose, and cheekbones.
Start working on the beard, using a combination of dark and light grays to create texture.
Refine the details of the eyes, nose, and mouth.
Add final touches and glazes to unify the painting.
color palette
primary · burnt umber · raw sienna · ivory black · titanium white
secondary · cadmium red light · yellow ochre
Achieve the skin tones by mixing burnt umber, raw sienna, cadmium red light, and titanium white. Vary the proportions to create different shades and highlights. Use ivory black and burnt umber for the dark background and shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A toned canvas (e.g., with a thin wash of burnt umber) can be helpful.
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