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home·artworks·Saint Matthew the Apostle
Saint Matthew the Apostle by Giulio Cesare Procaccini

plate no. 6529

Saint Matthew the Apostle

Giulio Cesare Procaccini

oilBaroquereligious paintingfiguremaleaxedraperyportraitreligious
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and drapery folds with subtle gradations. It also provides practice in creating a sense of depth and form using chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, focusing on proportions and pose.

  2. step 02

    Block in the main areas of color: background, skin, drapery, and axe.

  3. step 03

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Develop the drapery folds, paying attention to the direction of light and shadow.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Add details to the axe, focusing on its metallic texture.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre · sap green

Achieve skin tones by mixing white, burnt sienna, and a touch of red and yellow ochre. Create the dark drapery by mixing black, umber, and a hint of green. Use white to create highlights and add depth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to create a strong sense of depth and form.
  • →Ignoring the subtle color variations in the drapery.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A toned canvas can help establish the overall value range.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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