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Saint Matthew by Guido Reni

plate no. 7878

Saint Matthew

Guido Reni, 1621

oil, canvasBaroquereligious paintingfigurereligiousmanchildbookwriting
some experience helpful

This painting provides an opportunity to practice chiaroscuro and portraiture. Students can learn to model forms using light and shadow and capture the nuances of human expression.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of light and shadow on the figures and book.

  4. step 04

    Develop the skin tones, layering warm and cool colors to create depth and realism.

  5. step 05

    Refine the details of the faces, paying attention to the eyes, nose, and mouth.

  6. step 06

    Add highlights to the hair and clothing to create a sense of volume.

  7. step 07

    Paint the quill and the book, adding details to suggest texture and form.

  8. step 08

    Adjust the values and colors as needed to create a harmonious and balanced composition.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium yellow

secondary · ivory black · alizarin crimson · ultramarine blue

Achieve skin tones by mixing white, sienna, umber, and small amounts of red and yellow. Use black and umber for shadows, and white with a touch of yellow for highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·underpainting

common pitfalls

  • →Overblending, which can flatten the forms.
  • →Incorrect proportions in the initial sketch.
  • →Failing to establish a strong value contrast.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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