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home·artworks·Saint Matthew and the Angel
Saint Matthew and the Angel by Caravaggio

plate no. 8060

Saint Matthew and the Angel

Caravaggio, 1602

oil, canvasBaroquereligious paintingfigureangelbookdraperyreligiousmale figure
experienced study

Recreating this painting will help students understand chiaroscuro and how to model forms using strong contrasts of light and shadow. It will also develop skills in painting realistic skin tones and drapery.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and composition.

  2. step 02

    Establish the dark background using a thin wash of dark brown.

  3. step 03

    Block in the main areas of light and shadow on the figures and drapery.

  4. step 04

    Begin refining the skin tones, paying close attention to the transitions between light and shadow.

  5. step 05

    Develop the details of the angel's wings and drapery, focusing on the folds and highlights.

  6. step 06

    Work on the details of the book and the saint's features.

  7. step 07

    Refine the overall composition, adjusting values and adding subtle details.

  8. step 08

    Add final highlights and shadows to enhance the dramatic effect.

color palette

primary · burnt umber · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ivory black

Achieve skin tones by mixing white, yellow ochre, and small amounts of burnt umber and cadmium red. Use burnt umber and ivory black to create the dark background and shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·value studies

common pitfalls

  • →Overblending, which can result in a loss of form.
  • →Ignoring the importance of the underpainting.
  • →Getting the proportions wrong in the initial sketch.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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related guides

oil painting for beginners →chiaroscuro →paint like caravaggio →how to learn by studying the masters →
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