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Saint Mark by Guido Reni

plate no. 5002

Saint Mark

Guido Reni, 1621

oilBaroquereligious paintingfiguresaintbeardbookwritingrobe
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and creating depth through subtle value changes. It also provides practice in depicting fabric folds and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, book, and hands.

  2. step 02

    Establish the background with a thin wash of dark brown.

  3. step 03

    Block in the main areas of color for the skin, robe, and book, focusing on the overall value structure.

  4. step 04

    Begin layering and blending colors to create smooth transitions and define the form of the face and hands.

  5. step 05

    Add highlights and shadows to enhance the three-dimensionality of the figure and clothing.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Paint the beard and hair, paying attention to the direction and flow of the strands.

  8. step 08

    Add final details, such as the quill and the texture of the paper.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · ivory black

Achieve skin tones by mixing burnt sienna, raw umber, and titanium white, adjusting the proportions to create highlights and shadows. Use yellow ochre to warm the skin tones. Mix ivory black with raw umber for the darkest shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Incorrectly judging the value structure, leading to a lack of depth.
  • →Neglecting the subtle color variations in the skin tones.
  • →Getting lost in details too early, before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·#4 round brush

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for beginners.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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