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home·artworks·Saint John the Baptist Revealing Christ to the Disciples
Saint John the Baptist Revealing Christ to the Disciples by Salvator Rosa

plate no. 8707

Saint John the Baptist Revealing Christ to the Disciples

Salvator Rosa, 1655

oil, canvasBaroquereligious paintingtreesfigureslandscapeskywaterrocks
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex natural forms like trees and rocks. It will also improve their understanding of light and shadow in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main landscape elements.

  2. step 02

    Establish the sky and distant background with broad, blended strokes.

  3. step 03

    Block in the main shapes of the trees and rocks, paying attention to their relative sizes and positions.

  4. step 04

    Add the figures, starting with the underpainting and gradually building up the details.

  5. step 05

    Develop the light and shadow on the trees and rocks, using a combination of blending and scumbling techniques.

  6. step 06

    Refine the details of the foliage and the texture of the rocks.

  7. step 07

    Add the reflections in the water, using horizontal strokes and muted colors.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · ultramarine blue · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium yellow · ivory black

Achieve the atmospheric perspective by mixing blues and grays with white for the distant elements. Use raw umber and yellow ochre for the earth tones, and add burnt sienna for warmth. Mix greens from blues and yellows, muting them with umber.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·rendering foliage

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using colors that are too saturated
  • →Ignoring the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a mid-tone canvas to help establish values. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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