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home·artworks·Saint John the Baptist (detail)
Saint John the Baptist (detail) by Bernardo Strozzi

plate no. 3447

Saint John the Baptist (detail)

Bernardo Strozzi

oilBaroquereligious paintingfigureportraitreligiousmalehairskin
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and creating a sense of depth through chiaroscuro. It also provides practice in capturing subtle facial expressions and gestures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic outline of the figure, paying attention to proportions and pose.

  2. step 02

    Establish the main light and shadow areas with a thin wash of burnt umber.

  3. step 03

    Begin layering skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Mix and apply the darker tones for the hair and background, blending edges softly.

  5. step 05

    Refine the facial features, focusing on capturing the subtle expression.

  6. step 06

    Add details to the hand and arm, paying attention to the anatomy and light.

  7. step 07

    Adjust the overall values and tones to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · cadmium red · ivory black

Skin tones can be achieved by mixing titanium white, yellow ochre, and a touch of cadmium red. Vary the proportions to create different shades and highlights. Use burnt umber and ivory black for shadows and darker areas.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·blending

common pitfalls

  • →Overblending, which can result in a flat, lifeless appearance.
  • →Incorrect proportions, especially in the face and hands.
  • →Failing to establish a strong value structure early on.
  • →Getting the skin tones too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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