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home·artworks·Saint John the Baptist
Saint John the Baptist by Juan Bautista Maíno

plate no. 7286

Saint John the Baptist

Juan Bautista Maíno

oilBaroquereligious paintingfigurelambdraperyflowersstaffreligious
some experience helpful

This painting provides an opportunity to practice chiaroscuro and rendering realistic skin tones. Students can also improve their skills in depicting textures like fur and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the lamb and drapery.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of light and shadow on the figure, lamb, and drapery with mid-tones.

  4. step 04

    Begin layering lighter tones on the figure, focusing on highlights and subtle color variations in the skin.

  5. step 05

    Add details to the lamb's fur, using short, broken brushstrokes to create texture.

  6. step 06

    Refine the drapery folds, paying attention to the way light and shadow define their form.

  7. step 07

    Paint the flowers and staff, adding small details to create visual interest.

  8. step 08

    Add final highlights and shadows to enhance the overall contrast and create a sense of depth.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light

Mix skin tones by blending white, raw umber, burnt sienna, and a touch of red. Use ivory black and raw umber for shadows. Create highlights with white and a touch of yellow ochre.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering skin tones

common pitfalls

  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Ignoring subtle color variations in the skin.
  • →Failing to establish a strong value contrast.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, raw umber, burnt sienna, titanium white, yellow ochre, cadmium red light)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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