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Saint John by Guido Reni

plate no. 2798

Saint John

Guido Reni, 1621

oilBaroquereligious paintingfigurebookrobeportraitreligiouswriting
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding chiaroscuro to create depth and drama.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure, book, and major folds of the robe.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of color: skin tones, red robe, green shirt, and book pages.

  4. step 04

    Start building up the skin tones with layers of light and shadow, paying close attention to the subtle transitions.

  5. step 05

    Develop the folds and highlights in the red robe, using thicker paint and bolder brushstrokes.

  6. step 06

    Add details to the book, including the texture of the pages and the quill pen.

  7. step 07

    Refine the facial features and hair, focusing on capturing the expression and likeness.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · red · yellow ochre · burnt umber

secondary · green · ivory black

Skin tones are achieved by mixing yellow ochre, burnt umber, and white. The red robe is a mix of red with touches of burnt umber for shadows and white for highlights. Dark background is achieved by mixing burnt umber and black.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·portraiture
  • ·drapery painting
  • ·blending

common pitfalls

  • →Overworking the skin tones and losing the subtle transitions.
  • →Making the red robe too flat and lacking depth.
  • →Neglecting the details of the book and quill pen.
  • →Failing to capture the likeness and expression of the figure.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: red, yellow ochre, burnt umber, ivory black, titanium white, green
  • ·Round brushes (#2, #4, #6)
  • ·Flat brushes (#6, #8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the dark background.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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