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home·artworks·Saint Jerome reading a letter
Saint Jerome reading a letter by Georges de la Tour

plate no. 4550

Saint Jerome reading a letter

Georges de la Tour, 1629

oil, canvasTenebrismreligious paintingfiguresaintletterglassesred robebeard
some experience helpful

Recreating this painting will help students develop skills in rendering dramatic lighting and creating realistic skin tones. It also provides practice in depicting textures, such as fabric and paper.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the letter.

  2. step 02

    Establish the dark background with a thin layer of black or dark brown.

  3. step 03

    Block in the main shapes of the figure, using a mid-tone for the skin and a base color for the red robe.

  4. step 04

    Begin layering the skin tones, paying attention to the highlights and shadows created by the light source.

  5. step 05

    Develop the folds and shadows in the red robe, using darker shades of red and brown.

  6. step 06

    Add details to the letter and glasses, using fine brushes.

  7. step 07

    Refine the highlights and shadows throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final details, such as the texture of the beard and the subtle variations in the background.

color palette

primary · red · ivory black · raw umber

secondary · burnt sienna · yellow ochre · titanium white

Mix various shades of red by combining red with burnt sienna and a touch of black. Achieve skin tones by mixing white, yellow ochre, and a small amount of red and umber.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, ivory black, raw umber, burnt sienna, yellow ochre, titanium white)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for beginners.

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related guides

oil painting for beginners →how to learn by studying the masters →
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