
plate no. 5516
Giovanni Battista Gaulli, 1685
Recreating this painting will help students develop skills in rendering figures in dramatic lighting and creating a sense of depth through atmospheric perspective. It also provides practice in depicting drapery and subtle skin tones.
technical profile
approach — 8 steps
Prepare the canvas with a toned ground (burnt umber or similar).
Sketch the basic composition, focusing on the placement and proportions of the figures.
Block in the main areas of color, starting with the darkest values in the robes and background.
Establish the light source and begin to build up the highlights on the figures and crucifix.
Refine the details of the faces, paying close attention to the expressions and anatomy.
Develop the drapery folds and textures, using a combination of blending and scumbling.
Add the subtle glow around the figures' heads, using thin layers of white and yellow.
Glaze the painting to unify the colors and add depth.
color palette
primary · ivory black · raw umber · titanium white · burnt sienna
secondary · yellow ochre · ultramarine blue · cadmium red light
Achieve the dark robe colors by mixing ivory black with raw umber and a touch of ultramarine. Skin tones can be created by mixing titanium white, yellow ochre, and cadmium red light, with small amounts of burnt sienna for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve flow.
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