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home·artworks·Saint Francis Of Assisi According To Pope Nicholas V?s
Saint Francis Of Assisi According To Pope Nicholas V?s by Francisco de Zurbaran

plate no. 2861

Saint Francis Of Assisi According To Pope Nicholas V?s

Francisco de Zurbaran

oilBaroquereligious paintingfigurereligious figurerobeshadowsdark background
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to model forms using subtle value changes. It will also help them practice rendering fabric and creating a sense of depth with a limited palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure proportions and pose on the canvas.

  2. step 02

    Block in the large areas of dark background and the robe's general shape.

  3. step 03

    Establish the main light source and begin to define the highlights and shadows on the robe.

  4. step 04

    Mix a range of neutral tones to build up the values on the robe, focusing on subtle gradations.

  5. step 05

    Refine the details of the face, paying close attention to the light and shadow patterns.

  6. step 06

    Add the details of the rope belt, using lighter tones to create highlights and texture.

  7. step 07

    Soften edges and blend transitions between values to create a smooth, realistic effect.

  8. step 08

    Add final highlights and details to enhance the sense of depth and realism.

color palette

primary · raw umber · ivory black · titanium white

secondary · yellow ochre · burnt umber

Achieve the robe's color by mixing raw umber and ivory black with varying amounts of titanium white. Use yellow ochre and burnt umber to add warmth to the highlights and shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·value study
  • ·modeling form

common pitfalls

  • →Failing to establish a strong light source.
  • →Using too much contrast too early in the painting process.
  • →Over-blending and losing the subtle value changes.
  • →Neglecting the importance of accurate proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to make it easier to judge values.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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