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home·artworks·Saint Dominic of Guzmán
Saint Dominic of Guzmán by Claudio Coello

plate no. 5740

Saint Dominic of Guzmán

Claudio Coello, 1685

oil, canvasBaroquereligious paintingfiguresaintdogarchitecturereligiousbook
experienced study

Recreating this painting will help students develop skills in rendering drapery, creating depth through atmospheric perspective, and capturing realistic skin tones. It also provides practice in depicting complex textures and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and key elements.

  2. step 02

    Establish the background with a thin wash of browns and blues, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and gesture.

  4. step 04

    Begin layering the drapery, using light and shadow to create volume and folds.

  5. step 05

    Develop the facial features, focusing on accurate proportions and subtle tonal variations.

  6. step 06

    Add details such as the dog, book, and architectural elements.

  7. step 07

    Refine the overall painting, adjusting values and adding highlights to create a sense of realism.

  8. step 08

    Apply a final glaze to unify the colors and create a sense of atmosphere.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Achieve the subtle skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red light. Use raw umber and ivory black for the dark areas of the drapery and background. Mix ultramarine blue with raw umber to create the cooler tones in the background.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Inaccurate proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes size 2, 4, and 6

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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