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home·artworks·Saint Diego of Alcalá
Saint Diego of Alcalá by Bernabé de Ayala

plate no. 4953

Saint Diego of Alcalá

Bernabé de Ayala

canvas, oilBaroquereligious paintingfigurereligiouscrossroseshalorobe
some experience helpful

Recreating this painting will help students develop skills in portraiture, figure drawing, and rendering fabric textures with subtle value changes. It also provides practice in creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, cross, and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main colors of the robe, cross, and skin tones.

  4. step 04

    Begin refining the details of the face, paying attention to the light and shadow.

  5. step 05

    Develop the folds and textures of the robe using layering and glazing techniques.

  6. step 06

    Paint the roses, focusing on their delicate forms and subtle color variations.

  7. step 07

    Refine the background, creating a sense of depth with darker values in the distance.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · raw sienna · alizarin crimson · ivory black

Achieve the robe color by mixing burnt umber, yellow ochre, and a touch of white. Use alizarin crimson and white to create the pinks of the roses. Darken the background with burnt umber and ivory black.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the background.
  • →Making the colors too saturated or bright.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·alizarin crimson oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a toned ground to simplify the initial stages of painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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