apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Saint Catherine of Alexandria reading
Saint Catherine of Alexandria reading by Onorio Marinari

plate no. 3451

Saint Catherine of Alexandria reading

Onorio Marinari, 1670

oil, canvasBaroquereligious paintingfigurebookdraperyinteriorcrownsky
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and drapery folds. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and key elements.

  2. step 02

    Establish the background with dark, muted tones, suggesting the interior space and the distant landscape.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and anatomical accuracy.

  4. step 04

    Begin layering in the skin tones, using a limited palette and blending carefully to create smooth transitions.

  5. step 05

    Develop the drapery, using highlights and shadows to define the folds and create a sense of volume.

  6. step 06

    Add details to the book, crown, and other objects, focusing on texture and form.

  7. step 07

    Refine the overall composition, adjusting values and adding subtle details to enhance the realism.

  8. step 08

    Add final highlights and shadows to create a sense of depth and luminosity.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ultramarine blue · ivory black · gold

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black to create shadows and depth in the drapery and background. Mix yellow ochre with white to create the gold color.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery rendering

common pitfalls

  • →Overblending skin tones, resulting in a flat, lifeless appearance.
  • →Ignoring the subtle value changes in the drapery, leading to a lack of depth.
  • →Getting the proportions of the figure wrong, resulting in an unrealistic portrayal.
  • →Using too much detail too early, before establishing the overall composition and values.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·ultramarine blue
  • ·ivory black

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne