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home·artworks·Saint Catherine of Alexandria
Saint Catherine of Alexandria by Bartolomé Esteban Murillo

plate no. 1281

Saint Catherine of Alexandria

Bartolomé Esteban Murillo, 1655

oil, canvasBaroquereligious paintingfiguresaintcloudsangelwheelsword
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in achieving subtle color transitions and soft blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, wheel, and angel.

  2. step 02

    Establish the background with light washes of gray and blue, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and pose.

  4. step 04

    Begin layering colors on the face and hands, building up highlights and shadows gradually.

  5. step 05

    Render the drapery of the blue cloak, focusing on the folds and highlights.

  6. step 06

    Add details to the sword, wheel, and angel, using smaller brushes.

  7. step 07

    Refine the background and add subtle details to the crowd of figures.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red light · ivory black · raw sienna

Achieve the skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red light. The blue cloak is created by blending ultramarine blue with white and a touch of burnt umber for shadows. Use raw sienna and burnt umber for the wheel and column.

techniques

  • ·glazing
  • ·sfumato
  • ·chiaroscuro
  • ·drapery study

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth in the background.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Ignoring the subtle shifts in value that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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