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home·artworks·Saint Catherine Appearing to the Prisoners
Saint Catherine Appearing to the Prisoners by Francisco Herrera

plate no. 0090

Saint Catherine Appearing to the Prisoners

Francisco Herrera, 1629

oilBaroquereligious paintingfiguresreligious scenedraperyprisonersarchitecturegroup portrait
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering drapery folds, and creating dramatic lighting effects with a limited palette. It also provides practice in capturing a range of emotions and expressions on the faces of the figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of the figures.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Focus on establishing the light source and creating a sense of depth through value contrast.

  4. step 04

    Develop the drapery folds, paying attention to how light and shadow define the form.

  5. step 05

    Refine the facial features and expressions of the figures.

  6. step 06

    Add details to the background and architectural elements.

  7. step 07

    Glaze with thin layers of color to enhance the richness and depth of the painting.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre

Achieve the skin tones by mixing white, burnt umber, and a touch of cadmium red light. Create the drapery colors by mixing raw sienna with varying amounts of burnt umber and white. Use black to create the dark background and shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·underpainting
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figures wrong.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red light, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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