apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·São José e o Menino
São José e o Menino by Josefa de Obidos

plate no. 7069

São José e o Menino

Josefa de Obidos

oilBaroquereligious paintingfiguresreligiousclothinglandscapehalostaff
some experience helpful

Recreating this painting will help students develop skills in portraiture, drapery, and creating a sense of depth through layering and subtle color variations. It also provides practice in rendering realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the main color areas for the background, clothing, and skin tones.

  3. step 03

    Begin layering darker values to define shadows and create form.

  4. step 04

    Refine the facial features, paying attention to the light and shadow on the faces.

  5. step 05

    Add details to the clothing, such as folds and highlights.

  6. step 06

    Paint the background elements, like the trees and sky, using soft blending techniques.

  7. step 07

    Add the halo and staff, paying attention to their placement and details.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue · ivory black

Achieve skin tones by mixing white, red, and a touch of yellow ochre and burnt umber. Create depth in the clothing by layering different shades of the primary colors with black and white.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery

common pitfalls

  • →Overblending skin tones, resulting in a flat appearance.
  • →Losing the proportions of the figures during the painting process.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle value changes that create form.
  • →Not establishing a clear light source.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (for oil paints)

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use a medium-tooth canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne