apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Runsala Bro
Runsala Bro by Elin Danielson-Gambogi

plate no. 0024

Runsala Bro

Elin Danielson-Gambogi, 1891

oilRealismlandscapelandscapefieldfenceskybuildingtrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating texture with brushstrokes. It also provides practice in mixing subtle color variations to represent natural light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the fence, field, and buildings.

  2. step 02

    Block in the sky with a light blue-gray wash.

  3. step 03

    Establish the base color of the field with a mix of yellow ochre and raw umber.

  4. step 04

    Add the darker tones of the distant trees and buildings, keeping the values muted.

  5. step 05

    Begin defining the fence with gray and brown tones, paying attention to the light and shadow.

  6. step 06

    Add details to the field, using short, broken brushstrokes to represent the texture of the grass.

  7. step 07

    Refine the sky with soft clouds.

  8. step 08

    Add final highlights and shadows to the fence and field to create depth.

color palette

primary · yellow ochre · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · payne's gray

Mix white with small amounts of blue and umber for the sky. Use yellow ochre, raw umber, and burnt sienna in varying proportions for the field. Add a touch of blue to umber for the distant trees.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details in the field, resulting in a flat, unrealistic texture.
  • →Creating too much contrast, which can flatten the atmospheric perspective.
  • →Using colors that are too saturated, which can detract from the muted, naturalistic feel.
  • →Ignoring the subtle color variations in the sky and field.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

A slightly textured canvas will help to create a more naturalistic feel.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy