apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ruins
Ruins by Ettore Tito

plate no. 3262

Ruins

Ettore Tito

oilRealismcityscaperuinsbuildingsskyarchitecturecityscaperubble
some experience helpful

Recreating this painting will help students develop skills in depicting texture through brushwork and understanding atmospheric perspective. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the horizon line.

  2. step 02

    Block in the sky with a thin layer of blue paint.

  3. step 03

    Establish the main value ranges for the buildings and ground using a mid-tone brown.

  4. step 04

    Add darker values to define shadows and architectural details.

  5. step 05

    Introduce lighter values to indicate highlights and sunlit areas.

  6. step 06

    Use short, broken brushstrokes to create the texture of the rubble and decaying structures.

  7. step 07

    Soften edges and blend colors where appropriate to create a sense of depth.

  8. step 08

    Add final details and highlights to enhance the realism of the scene.

color palette

primary · raw umber · sky blue · titanium white

secondary · burnt sienna · yellow ochre · cadmium red light

Mix raw umber and white for the base tones of the ruins. Add small amounts of burnt sienna or yellow ochre to warm the browns. Use white to lighten the colors and create highlights.

techniques

  • ·dry brushing
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective
  • ·value blocking

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Creating overly sharp edges that detract from the atmospheric effect.
  • →Failing to establish a clear value structure, resulting in a flat image.
  • →Using colors that are too saturated, making the scene appear unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·sky blue oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the texture of the painting. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy