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home·artworks·Royal Gates of the Zhovkva iconostasis
Royal Gates of the Zhovkva iconostasis by Ivan Rutkovych

plate no. 1890

Royal Gates of the Zhovkva iconostasis

Ivan Rutkovych, 1699

frescoBaroquereligious paintingreligious figuresgold leafornate decorationiconostasisbaroque art
experienced study

Recreating this painting will help students develop skills in rendering metallic surfaces and understanding the use of light and shadow to create depth and texture. It also provides practice in replicating complex patterns and decorative elements.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a dark red or burgundy base coat to mimic the background.

  2. step 02

    Sketch the basic shapes and composition of the gates, including the figures and the tree-like structure.

  3. step 03

    Apply a layer of gold paint or gold leaf to all the golden elements, focusing on the highlights and shadows.

  4. step 04

    Use a dry brush technique with darker gold tones to create texture and depth in the gold areas.

  5. step 05

    Add details to the figures, including their faces, clothing, and accessories, using small brushes.

  6. step 06

    Refine the details of the ornate decorations, paying attention to the intricate patterns and shapes.

  7. step 07

    Glaze the gold areas with a transparent brown or sepia to enhance the shadows and create a sense of age.

  8. step 08

    Add final highlights with a lighter gold or metallic paint to make the artwork pop.

color palette

primary · gold · red · brown

secondary · white · black · sepia

Achieve the gold effect by mixing yellow ochre, burnt sienna, and a touch of metallic gold paint. Use transparent glazes of burnt umber to create shadows and depth in the gold areas.

techniques

  • ·dry brushing
  • ·glazing
  • ·layering
  • ·metallic paint application
  • ·chiaroscuro

common pitfalls

  • →Overworking the gold areas and losing the highlights.
  • →Failing to create enough contrast between the light and dark areas.
  • →Simplifying the intricate details and patterns.
  • →Using too much paint and obscuring the texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·acrylic paints (gold, red, brown, white, black)
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette

optional

  • ·gold leaf
  • ·metallic gold paint
  • ·palette knife
  • ·varnish

Consider using a high-quality gold paint or gold leaf to achieve a realistic metallic effect. Experiment with different brush techniques to create texture and depth in the gold areas.

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chiaroscuro →how to learn by studying the masters →
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