apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Rounding the Ness, Lowestoft
Rounding the Ness, Lowestoft by Henry Moore

plate no. 8525

Rounding the Ness, Lowestoft

Henry Moore, 1886

oilRealismmarinaseawavesboatskycloudsmarina
some experience helpful

Recreating this painting will help students develop skills in depicting dynamic water movement and atmospheric perspective. It also provides practice in capturing the texture and form of clouds and waves using visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, the position of the boat, and the main cloud formations.

  2. step 02

    Establish the overall color scheme by blocking in the sky and sea with broad strokes, focusing on value relationships.

  3. step 03

    Begin defining the wave forms, using darker blues and grays for the troughs and lighter blues and whites for the crests.

  4. step 04

    Add highlights to the waves using thick, broken brushstrokes to simulate the sparkle of light on the water.

  5. step 05

    Paint the boat, paying attention to its shape and the way it interacts with the waves.

  6. step 06

    Refine the cloud formations, adding subtle variations in color and value to create depth and atmosphere.

  7. step 07

    Add final details, such as splashes of water and subtle reflections.

  8. step 08

    Review and adjust the overall composition, ensuring that the focal point (the boat) is well-defined.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · payne's gray · yellow ochre · burnt sienna

Mix blues and whites for the sky and sea, adding small amounts of raw umber or payne's gray to create variations in value. Use yellow ochre and burnt sienna to warm up the whites for highlights on the waves.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-wet blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to establish a clear value structure, leading to a flat and muddy painting.
  • →Ignoring the direction of light, resulting in inconsistent highlights and shadows.
  • →Using too much detail in the background, which can distract from the focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·#6 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grit canvas to provide a good surface for the oil paint. Consider using a fast-drying medium to speed up the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy