apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Roslagsgatan
Roslagsgatan by Eugène Jansson

plate no. 4348

Roslagsgatan

Eugène Jansson, 1889

oilRealismcityscapestreetbuildingsskyfigurelamppostsidewalk
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for muted tones, and creating texture with visible brushstrokes. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective lines of the street and buildings.

  2. step 02

    Block in the large shapes of the sky, buildings, and ground with diluted washes of color.

  3. step 03

    Establish the basic value structure, paying attention to the light source and shadows.

  4. step 04

    Begin adding details to the buildings, lamppost, and figure, refining the shapes and values.

  5. step 05

    Use thicker paint and visible brushstrokes to create texture in the street and sky.

  6. step 06

    Mix subtle variations of color to add depth and realism to the scene.

  7. step 07

    Add highlights and shadows to create dimension and form.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Mix ultramarine blue and burnt umber with white to create the muted grays and blues of the sky and buildings. Add yellow ochre and cadmium red light to the burnt umber to create the warm tones of the street and buildings.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Getting the perspective wrong, which can distort the entire composition.
  • →Overworking the details, which can make the painting look stiff and unnatural.
  • →Using colors that are too bright or saturated, which can clash with the muted tones of the scene.
  • →Ignoring the value structure, which can flatten the painting and make it lack depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a medium texture to help create the broken color effect. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy