apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Roskilde Cathedral in Roskilde, Denmark
Roskilde Cathedral in Roskilde, Denmark by Ludvig Kabell

plate no. 4316

Roskilde Cathedral in Roskilde, Denmark

Ludvig Kabell

oilRealismlandscapecathedraltreeslandscapebuildingstreampath
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth and realism. It also provides practice in rendering foliage and architectural details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the cathedral, buildings, path, and stream.

  2. step 02

    Establish the sky and distant background with light, muted colors.

  3. step 03

    Block in the main shapes of the buildings and trees using basic color mixtures.

  4. step 04

    Develop the path and stream, paying attention to perspective and reflections.

  5. step 05

    Add details to the cathedral, including windows, spires, and architectural features.

  6. step 06

    Refine the foliage with varying shades of green and brown, creating texture and depth.

  7. step 07

    Adjust values and colors to create atmospheric perspective, making distant objects lighter and less detailed.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · burnt sienna · raw umber · titanium white · sap green

secondary · ultramarine blue · yellow ochre · cadmium yellow light

Mix greens by combining sap green with yellow ochre or raw umber for variations. Create atmospheric perspective by adding white and a touch of blue to distant colors.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·layering
  • ·dry brushing
  • ·rendering foliage

common pitfalls

  • →Overworking details too early
  • →Ignoring atmospheric perspective
  • →Using colors straight from the tube without mixing
  • →Incorrect perspective on the buildings

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-textured canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy