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home·artworks·Roses, tulips, an iris and other flowers, in a glass vase on a stone plinth, with butterflies and other insects
Roses, tulips, an iris and other flowers, in a glass vase on a stone plinth, with butterflies and other insects by Jan van Kessel the Elder

plate no. 7543

Roses, tulips, an iris and other flowers, in a glass vase on a stone plinth, with butterflies and other insects

Jan van Kessel the Elder

oil, copperBaroqueflower paintingflowersvasestill lifeinsectstableleaves
experienced study

Recreating this painting will help students develop skills in rendering realistic textures, particularly the translucency of glass and the delicate petals of flowers. It also provides practice in creating depth through subtle value changes and layering.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the vase, flowers, and leaves, paying attention to proportions and overall composition.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main colors of the flowers and leaves, focusing on the overall color relationships.

  4. step 04

    Begin layering and blending colors to create the form and volume of the flowers, paying attention to highlights and shadows.

  5. step 05

    Carefully render the details of the vase, including the reflections and refractions of light.

  6. step 06

    Add details to the leaves, including veins and subtle color variations.

  7. step 07

    Paint the insects, focusing on their delicate forms and textures.

  8. step 08

    Add final highlights and details to enhance the realism of the painting.

color palette

primary · rose madder · titanium white · viridian green · ivory black

secondary · ultramarine blue · cadmium red light · yellow ochre

Achieve the subtle pinks and purples of the roses by mixing rose madder and titanium white. Use viridian green and yellow ochre to create a range of greens for the leaves. Mix ivory black with other colors to create muted tones for the background and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle color variations within the flowers and leaves.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for blending and glazing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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