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home·artworks·Roses in a White Porcelin Vase
Roses in a White Porcelin Vase by Henri Fantin-Latour

plate no. 4010

Roses in a White Porcelin Vase

Henri Fantin-Latour, 1874

oil, canvasRealismflower paintingflowersrosesvasestill lifetableleaves
some experience helpful

Recreating this painting will help students develop skills in color mixing, particularly creating subtle variations in tone, and in capturing the texture of petals and leaves with visible brushstrokes. It also provides practice in creating a focal point through contrast and detail.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase, the flower arrangement, and the table.

  2. step 02

    Block in the background with a dark, muted color, paying attention to the subtle variations in tone.

  3. step 03

    Establish the basic shapes and colors of the roses, focusing on the overall form rather than individual petals.

  4. step 04

    Add the leaves, using a variety of greens and browns to create depth and texture.

  5. step 05

    Begin to refine the details of the roses, adding highlights and shadows to create a sense of volume.

  6. step 06

    Work on the vase, capturing its subtle curves and reflections.

  7. step 07

    Add the roses on the table, paying attention to their cast shadows.

  8. step 08

    Refine the overall composition, adjusting colors and values as needed to create a cohesive and harmonious image.

color palette

primary · titanium white · yellow ochre · alizarin crimson · burnt umber

secondary · sap green · ultramarine blue · raw sienna

Achieve the rose colors by mixing white, yellow ochre, and alizarin crimson in varying proportions. Use burnt umber and ultramarine blue to create the dark background and shadows.

techniques

  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating colors that are too bright or saturated.
  • →Failing to create a sense of depth and volume.
  • →Ignoring the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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