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Roses by Constantin Artachino

plate no. 2518

Roses

Constantin Artachino

oilRealismflower paintingrosesflowersvasestill lifeleavestable
some experience helpful

Recreating this painting will help students develop skills in color mixing, particularly for achieving realistic floral tones, and understanding how to create depth through value and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase and the overall arrangement of the roses.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main colors of the roses and leaves, focusing on accurate color matching.

  4. step 04

    Begin refining the shapes of the roses, adding details and highlights to create form.

  5. step 05

    Work on the vase, paying attention to the subtle variations in color and value to create a sense of roundness.

  6. step 06

    Add shadows and highlights to the table surface to ground the composition.

  7. step 07

    Refine the details of the leaves, adding veins and subtle color variations.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · cadmium yellow · alizarin crimson · titanium white · burnt umber

secondary · sap green · yellow ochre

Achieve the rose colors by mixing varying amounts of cadmium yellow, alizarin crimson, and titanium white. Use burnt umber to darken colors and create shadows. Mix sap green and yellow ochre for the leaves, adjusting with white or umber for highlights and shadows.

techniques

  • ·color mixing
  • ·blending
  • ·layering
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to accurately match the colors of the roses.
  • →Ignoring the subtle variations in value and color that create form.
  • →Creating overly harsh or abrupt transitions between colors.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·cadmium yellow oil paint
  • ·alizarin crimson oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·sap green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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