apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Roofs and Chimneys in Venice
Roofs and Chimneys in Venice by Canaletto

plate no. 9058

Roofs and Chimneys in Venice

Canaletto, 1735

ink, paperBaroquecityscapebuildingscityscapechimneysroofsfigureswindows
some experience helpful

Recreating this painting will help students develop skills in tonal values and creating depth through atmospheric perspective. It also provides practice in rendering architectural details with ink or monochrome paint.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and chimneys.

  2. step 02

    Establish the darkest areas of the painting, focusing on shadows and architectural details.

  3. step 03

    Begin to fill in the mid-tones, gradually building up the values to create depth.

  4. step 04

    Use hatching and cross-hatching techniques to create texture and detail in the buildings and roofs.

  5. step 05

    Pay attention to the atmospheric perspective, making distant objects lighter and less detailed.

  6. step 06

    Add the figures in the foreground, paying attention to their proportions and placement.

  7. step 07

    Refine the details and add any final touches to complete the painting.

  8. step 08

    Step back and assess the overall balance and harmony of the composition.

color palette

primary · black · white

secondary · gray

Achieve various shades of gray by diluting black ink or paint with water or mixing black and white paint.

techniques

  • ·hatching
  • ·cross-hatching
  • ·atmospheric perspective
  • ·tonal value

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to establish a strong value range, resulting in a flat and lifeless painting.
  • →Ignoring the perspective and creating distorted or unrealistic architectural forms.
  • →Making the distant elements too dark or detailed, negating the effect of atmospheric perspective.

materials

surface · drawing paper

required

  • ·drawing paper
  • ·black ink or paint
  • ·fine liner brush
  • ·pencil
  • ·eraser
  • ·ruler

optional

  • ·watercolor pencils
  • ·tortillon
  • ·gray markers

Use a smooth paper for detailed linework and a textured paper for a more painterly effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to draw →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne