apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Roma, Lungo Tevere
Roma, Lungo Tevere by Włodzimierz Zakrzewski

plate no. 7933

Roma, Lungo Tevere

Włodzimierz Zakrzewski, 1970

oilRealismlandscapetreescityscapebuildingsstreetfigurespark
experienced study

Recreating this painting will help students develop skills in layering paint and creating texture with visible brushstrokes. It also provides practice in depicting atmospheric perspective and simplifying complex forms.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and buildings.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color.

  3. step 03

    Begin layering in the darker values, defining the tree trunks and shadows.

  4. step 04

    Add the lighter values, focusing on the highlights on the trees and buildings.

  5. step 05

    Use short, broken brushstrokes to create texture in the foliage and ground.

  6. step 06

    Introduce color variations within the shadows and highlights to add depth.

  7. step 07

    Refine the details, such as the figures and architectural elements.

  8. step 08

    Add final highlights and adjust values as needed.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · cadmium red · ultramarine blue · sap green

Mix various shades of gray and brown by combining the primary colors. Use white to lighten values and create highlights. Add small amounts of secondary colors to create subtle color variations.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the texture of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy