apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Robert Spence Watson
Robert Spence Watson by Ralph Hedley

plate no. 8590

Robert Spence Watson

Ralph Hedley, 1897

oilRealismportraitportraitfigurechairtablebooksinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding tonal values to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, chair, and table, paying attention to the overall composition.

  2. step 02

    Establish the background with a thin wash of dark brown, gradually building up darker tones.

  3. step 03

    Block in the main areas of color for the figure, chair, and table, focusing on the overall values.

  4. step 04

    Begin refining the facial features, paying close attention to the highlights and shadows to create form.

  5. step 05

    Develop the details of the clothing and chair, using subtle variations in color and value to create texture.

  6. step 06

    Add details to the table and objects on it, such as the books and inkwell.

  7. step 07

    Refine the overall painting, adjusting values and adding highlights to create a sense of depth and realism.

  8. step 08

    Add final details and highlights to the face and hands.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Mix various shades of brown and gray by combining the primary colors. Use white to lighten values and add highlights. Add small amounts of red and blue to create subtle variations in skin tone.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to create a convincing sense of depth and form.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ivory black, raw umber, burnt umber, titanium white, cadmium red, ultramarine blue, yellow ochre)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy