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home·artworks·Riviergezicht Met Pellekussenpoort Te Utrecht
Riviergezicht Met Pellekussenpoort Te Utrecht by Salomon van Ruysdael

plate no. 7208

Riviergezicht Met Pellekussenpoort Te Utrecht

Salomon van Ruysdael

oilBaroquelandscaperiverboatsbuildingskytreesfigures
some experience helpful

This painting provides a good opportunity to practice atmospheric perspective and capturing reflections in water. Students can also learn to simplify complex shapes like trees and buildings into basic forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tower, boats, and horizon line.

  2. step 02

    Block in the sky with light blues and grays, blending softly.

  3. step 03

    Establish the basic colors of the water, using horizontal strokes and varying the values to suggest depth.

  4. step 04

    Paint the tower using a mix of browns and ochres, paying attention to the light and shadow.

  5. step 05

    Add the trees and foliage, using broken brushstrokes to create texture.

  6. step 06

    Paint the boats and figures, simplifying the details.

  7. step 07

    Add reflections in the water, mirroring the colors and shapes above.

  8. step 08

    Refine details and adjust values to create a sense of atmosphere.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · payne's gray

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Use raw umber and burnt sienna for the tower and foliage, mixing with white to create lighter tones. Create the water color by mixing blues, browns, and whites, adjusting the proportions to achieve the desired depth and tone.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·broken brushstrokes
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details, losing the overall impression.
  • →Making the colors too saturated, resulting in an unnatural look.
  • →Ignoring the importance of value contrast, creating a flat image.
  • →Not simplifying complex shapes, leading to a cluttered composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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