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home·artworks·Riviergezicht Bij Deventer
Riviergezicht Bij Deventer by Salomon van Ruysdael

plate no. 9829

Riviergezicht Bij Deventer

Salomon van Ruysdael

oilBaroquelandscaperivertreesboatsskybuildingsfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create depth and realism in a landscape. It also provides practice in capturing reflections in water and rendering detailed foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, major landforms, and the placement of key elements like the boats and buildings.

  2. step 02

    Block in the sky with broad strokes, establishing the gradient from lighter near the horizon to darker above.

  3. step 03

    Paint the distant landmasses and buildings using a muted color palette to create atmospheric perspective.

  4. step 04

    Establish the base color of the water, paying attention to the reflections of the sky and land.

  5. step 05

    Add the trees and foliage, focusing on capturing the overall shapes and textures before adding finer details.

  6. step 06

    Paint the boats and figures, paying attention to their proportions and placement within the scene.

  7. step 07

    Refine the details of the reflections in the water, using subtle variations in color and value.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · cadmium yellow light

Achieve the muted tones by mixing complementary colors and adding white. Use thin glazes to build up color and create depth.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·wet-on-wet blending
  • ·scumbling
  • ·rendering reflections

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated, which can flatten the image.
  • →Ignoring the effect of atmospheric perspective on distant objects.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of raw umber before starting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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