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home·artworks·Riverbank in Moonlight
Riverbank in Moonlight by Charles-Francois Daubigny

plate no. 2409

Riverbank in Moonlight

Charles-Francois Daubigny, 1875

oil, panelRealismlandscapemoonlightrivertreesskyreflectionlandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle nuances of light and shadow in a nocturnal landscape. It also provides practice in creating reflections and depicting the texture of water.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a neutral underpainting (e.g., burnt umber wash).

  2. step 02

    Lightly sketch the horizon line and the basic shapes of the trees and the moon's position.

  3. step 03

    Block in the sky with broad strokes, focusing on the gradations of color around the moon.

  4. step 04

    Establish the dark masses of the trees and their reflections in the water.

  5. step 05

    Add the lighter areas of the water, capturing the moon's reflection and subtle ripples.

  6. step 06

    Refine the details of the trees and the sky, paying attention to the edges and textures.

  7. step 07

    Add small details like the ducks and the figure on the riverbank.

  8. step 08

    Glaze or scumble thin layers of color to unify the painting and create atmospheric depth.

color palette

primary · ivory black · yellow ochre · viridian · titanium white

secondary · burnt sienna · ultramarine blue

Mix various shades of green and gray by combining black, yellow ochre, and viridian. Use white to create highlights and lighten the overall tone. Add small amounts of burnt sienna to warm up the colors.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating too much contrast and making the painting look harsh.
  • →Failing to capture the subtle gradations of light and shadow.
  • →Making the reflections too symmetrical or detailed.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 or similar)
  • ·Oil paints (ivory black, yellow ochre, viridian, titanium white, burnt sienna, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil or painting medium
  • ·Odorless mineral spirits
  • ·Rags
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Easel
  • ·Medium gloss

A toned canvas will help to establish the overall mood and color harmony of the painting. Use a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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