
plate no. 8382
Victor Zaretsky, 1978
This painting is great for practicing color mixing to achieve subtle variations in the sky and water, as well as learning to suggest detail with loose brushstrokes in the foreground.
technical profile
approach — 8 steps
Sketch the basic composition, paying attention to the horizon line and placement of the buildings.
Block in the sky with a light blue, gradually adding subtle variations in tone and color.
Establish the water with a base of muted blue-purple, then add horizontal strokes to suggest ripples and reflections.
Paint the distant shore with a hazy, indistinct quality.
Block in the foreground grass with varying shades of green and yellow.
Add details to the buildings, keeping them simple and slightly blurred.
Use small brushstrokes to add highlights and shadows to the grass and water.
Refine the details and adjust the overall color balance.
color palette
primary · ultramarine blue · yellow ochre · titanium white
secondary · burnt umber · cadmium yellow · alizarin crimson
Mix blues and whites with small amounts of yellow ochre and burnt umber to create the muted tones of the sky and water. Use cadmium yellow and alizarin crimson to create the greens and oranges in the foreground.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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