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home·artworks·River Landscape with Apollo and the Cumean Sibyl
River Landscape with Apollo and the Cumean Sibyl by Salvator Rosa

plate no. 9973

River Landscape with Apollo and the Cumean Sibyl

Salvator Rosa, 1655

oil, canvasBaroquemythological paintinglandscaperiverfigurestreesmountainssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex foliage with subtle value changes. Students will also learn to depict figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the major landforms and figures.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Block in the sky and clouds, paying attention to the gradations of light and shadow.

  4. step 04

    Begin layering in the darker areas of the landscape, gradually building up the forms of the trees and rocks.

  5. step 05

    Add details to the figures, focusing on their gestures and expressions.

  6. step 06

    Refine the foliage, using a variety of brushstrokes to create texture and depth.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the atmospheric perspective.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · yellow ochre · cadmium yellow · ivory black

Achieve the muted greens by mixing ultramarine blue with yellow ochre and burnt umber. Use white to create highlights and lighten the sky and clouds. Mix ivory black with burnt umber to create dark shadows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Ignoring the atmospheric perspective
  • →Using colors that are too saturated
  • →Not blending the edges of the forms sufficiently

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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