apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·River
River by Arkady Rylov

plate no. 9868

River

Arkady Rylov, 1912

oilSymbolismlandscaperiverlandscapetreesskygrasswater
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in water and sky, as well as practice layering techniques to create depth in the landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river and horizon line.

  2. step 02

    Block in the sky with a light gray-blue mixture.

  3. step 03

    Establish the land masses with broad strokes of green and brown.

  4. step 04

    Begin layering the water, mixing gray, blue, and hints of green to create reflections.

  5. step 05

    Add details to the trees and foliage, using darker greens and browns.

  6. step 06

    Create subtle highlights on the water's surface to suggest movement.

  7. step 07

    Refine the edges and details, paying attention to the atmospheric perspective.

  8. step 08

    Add final touches, such as small details in the foreground.

color palette

primary · gray · blue · green · brown

secondary · white · yellow ochre · burnt umber

Achieve the subtle grays in the sky and water by mixing white with small amounts of blue, brown, and yellow ochre. Use varying proportions to create different values and temperatures.

techniques

  • ·layering
  • ·blending
  • ·atmospheric perspective
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Using colors that are too saturated, which can detract from the overall mood.
  • →Ignoring the atmospheric perspective, which can make the landscape appear flat.
  • →Not mixing enough paint to cover the canvas, leading to inconsistent color.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints: Titanium White, Ultramarine Blue, Yellow Ochre, Burnt Umber, Sap Green
  • ·Palette
  • ·Assorted brushes (flat and round)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Easel
  • ·Reference photo print

Use a medium-tooth canvas for better paint adhesion. Consider pre-toning the canvas with a thin wash of burnt umber for a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull