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home·artworks·Rio della Maddalena
Rio della Maddalena by Julius LeBlanc Stewart

plate no. 7083

Rio della Maddalena

Julius LeBlanc Stewart, 1908

oil, canvasRealismcityscapecanalbuildingswaterboatsfiguresarchitecture
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and rendering architectural details with light and shadow. It also provides practice in creating a sense of depth and atmosphere in a cityscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, canal, and boats.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the large areas of color, starting with the sky and water.

  4. step 04

    Begin adding details to the buildings, paying attention to the architectural elements and their shadows.

  5. step 05

    Paint the boats and figures, focusing on their shapes and placement within the scene.

  6. step 06

    Develop the reflections in the water, using broken brushstrokes and varying values.

  7. step 07

    Add final details and highlights to create a sense of depth and realism.

  8. step 08

    Refine the overall composition and adjust values as needed.

color palette

primary · yellow ochre · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · cadmium yellow · ivory black

Achieve the warm tones of the buildings by mixing yellow ochre, raw umber, and burnt sienna. Create the cool tones of the water by mixing ultramarine blue and raw umber, and add white for highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·wet-on-dry blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the buildings.
  • →Creating reflections that are too symmetrical.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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