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home·artworks·Rinaldo and Armida
Rinaldo and Armida by Nicolas Poussin

plate no. 5361

Rinaldo and Armida

Nicolas Poussin, 1626

canvas, oilClassicismmythological paintingfiguresarchitecturemythologyinteriorlandscapecherubs
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating depth through atmospheric perspective. It also provides practice in complex composition and storytelling through visual elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures and architectural elements.

  2. step 02

    Block in the main shapes and colors of the background, including the sky, architecture, and interior scene.

  3. step 03

    Begin to define the figures, focusing on accurate proportions and anatomical details.

  4. step 04

    Layer in the drapery, paying attention to how it folds and drapes over the figures.

  5. step 05

    Develop the details of the architectural elements, including the columns, arches, and walls.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add the final details, such as the faces, hands, and small objects.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · yellow ochre · raw sienna

Achieve flesh tones by mixing white, red, and ochre. Use ultramarine blue and burnt umber to create grays and shadows. Mix yellow ochre and white for highlights on the architecture.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions of figures
  • →Overly stiff or flat drapery
  • →Lack of depth and atmosphere
  • →Getting lost in the complexity of the composition

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (ochre, burnt umber, ultramarine blue, titanium white, cadmium red, yellow ochre, raw sienna)
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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