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home·artworks·Returning to Town
Returning to Town by Homer Watson

plate no. 6787

Returning to Town

Homer Watson

oilRealismlandscapetreeslandscaperoadfigureskyfield
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose, expressive brushwork to suggest form and texture. It's a good exercise in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the trees, road, and horizon line.

  2. step 02

    Block in the sky with a thin wash of blues and grays, allowing for variations in tone.

  3. step 03

    Establish the dark masses of the trees using a mix of browns and greens, paying attention to their overall shapes.

  4. step 04

    Lay in the basic tones of the field and road, creating a sense of depth through value changes.

  5. step 05

    Add details to the trees, suggesting foliage with broken brushstrokes and variations in color.

  6. step 06

    Refine the road with lighter tones and subtle variations to create a sense of texture.

  7. step 07

    Add the figure as a simple shape, blending it into the surrounding environment.

  8. step 08

    Adjust values and refine details throughout the painting to create a cohesive and atmospheric effect.

color palette

primary · burnt umber · raw sienna · ultramarine blue · titanium white

secondary · yellow ochre · sap green · ivory black

Achieve the muted tones by mixing complementary colors and using white to create subtle value shifts. Use thin washes for the sky and thicker paint for the foreground textures.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating too much contrast, resulting in a harsh and unnatural look.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors straight from the tube without mixing, leading to a flat and uninteresting palette.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for better paint adhesion. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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