apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Return of the Prodigal Son
Return of the Prodigal Son by Bartolomé Esteban Murillo

plate no. 3365

Return of the Prodigal Son

Bartolomé Esteban Murillo, 1670

oil, canvasBaroquereligious paintingfiguresarchitecturereligious scenedogservantsfather and son
experienced study

Recreating this painting will help students develop skills in figure drawing, creating realistic skin tones, and understanding the use of light and shadow to create depth and drama. It also provides practice in depicting complex drapery and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure of the painting.

  3. step 03

    Begin refining the figures, paying close attention to anatomy and facial expressions.

  4. step 04

    Develop the drapery, using highlights and shadows to create a sense of volume and texture.

  5. step 05

    Work on the background elements, such as the architecture and sky, to create a sense of depth and atmosphere.

  6. step 06

    Add details to the figures, such as hair, clothing, and accessories.

  7. step 07

    Refine the lighting and shadows to create a sense of drama and realism.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing burnt umber, raw sienna, titanium white, and a touch of cadmium red. Create shadows by adding ultramarine blue or ivory black to the skin tone mixture. Use yellow ochre and burnt umber for the earth tones and architectural elements.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery study

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or flat lighting.
  • →Lack of attention to detail in the drapery.
  • →Inaccurate skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne