apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Return of the Herd
Return of the Herd by Constant Troyon

plate no. 2849

Return of the Herd

Constant Troyon, 1860

oil, canvasRealismanimal paintinganimalslandscapefigureskycowsheep
some experience helpful

Recreating this painting will help students develop skills in rendering realistic animal forms and creating atmospheric perspective. It also provides practice in color mixing to achieve naturalistic tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and composition.

  2. step 02

    Establish the background sky and distant landscape with thin washes of color.

  3. step 03

    Block in the basic shapes of the animals, paying attention to proportions and anatomy.

  4. step 04

    Develop the mid-ground foliage and path, adding details and variations in color.

  5. step 05

    Refine the details of the animals, including fur texture, highlights, and shadows.

  6. step 06

    Add details to the figure, paying attention to the folds of the clothing and facial features.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · viridian green · raw sienna

Mix various shades of brown and gray by combining the primary colors. Use white to lighten colors and create highlights. Mix greens by combining blue and yellow.

techniques

  • ·blocking in
  • ·blending
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Getting the animal proportions wrong
  • →Overworking the details too early
  • →Using colors that are too bright or saturated
  • →Ignoring the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy