apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Return from the War
Return from the War by Alexei Korzukhin

plate no. 1191

Return from the War

Alexei Korzukhin, 1865

oilRealismgenre paintingfiguresinteriorfamilywarwindowtable
experienced study

Recreating this painting will help students develop skills in depicting figures in a realistic setting and understanding the use of light and shadow to create depth and mood. Students will also learn to mix subtle color variations to represent different textures and materials.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the overall composition, paying attention to the placement and proportions of the figures.

  2. step 02

    Establish the basic values by blocking in the dark and light areas with thin washes of paint.

  3. step 03

    Begin to develop the background, focusing on the details of the interior and the light coming through the windows.

  4. step 04

    Start working on the figures, building up the forms with layers of paint and paying attention to the details of their clothing and faces.

  5. step 05

    Refine the details of the painting, adding highlights and shadows to create depth and dimension.

  6. step 06

    Pay close attention to the expressions and gestures of the figures to convey the emotional impact of the scene.

  7. step 07

    Glaze the painting to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final details and highlights.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Mix browns and grays by combining burnt umber, raw sienna, ivory black, and titanium white. Use yellow ochre and cadmium red light to create warm skin tones. Add ultramarine blue to darken shadows and create cool tones.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Getting the proportions of the figures wrong
  • →Failing to create a sense of depth and atmosphere
  • →Overworking the details
  • →Using colors that are too bright or saturated

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Burnt umber oil paint
  • ·Raw sienna oil paint
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Retouch varnish
  • ·Medium gloss

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for layering paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy