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home·artworks·Return from the masquerade
Return from the masquerade by Luigi Da Rios

plate no. 9279

Return from the masquerade

Luigi Da Rios

oil, canvasRealismgenre paintingfiguresinteriorkitchencostumefloortable
experienced study

Recreating this painting will help students develop skills in rendering figures in complex poses and capturing the subtle nuances of light and shadow within an interior scene. Students will also learn to depict various textures, such as fabric, wood, and brick.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background elements, paying attention to the light and shadow patterns on the walls and floor.

  4. step 04

    Refine the figures, working on the details of their clothing and facial features.

  5. step 05

    Add details to the objects in the scene, such as the plates, onions, and furniture.

  6. step 06

    Pay attention to the light source and how it affects the colors and values in the painting.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Review and adjust the painting as needed to achieve a cohesive and balanced composition.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium red · ultramarine blue · sap green

Mix various shades of brown and gray by combining burnt umber, yellow ochre, ivory black, and titanium white. Use small amounts of cadmium red or ultramarine blue to create subtle color variations.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of light and shadow.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for painting.

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oil painting for beginners →how to learn by studying the masters →
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