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home·artworks·Retrieving the Body of Lorenzino de'Medici (Preparatory study)
Retrieving the Body of Lorenzino de'Medici (Preparatory study) by Cristiano Banti

plate no. 5062

Retrieving the Body of Lorenzino de'Medici (Preparatory study)

Cristiano Banti

oilRealismhistory paintingfiguresarchitecturearchwaydeathhistorical sceneinterior
some experience helpful

Recreating this painting will help students develop skills in depicting figures in shadow and creating depth using atmospheric perspective. It also provides practice in capturing the texture of old stone and the effect of light filtering through an archway.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the archway and the placement of the figures.

  2. step 02

    Establish the darkest and lightest areas to define the value structure.

  3. step 03

    Block in the main colors of the background wall and the floor.

  4. step 04

    Start adding details to the figures, paying attention to their forms and drapery.

  5. step 05

    Refine the lighting and shadows, creating a sense of depth and atmosphere.

  6. step 06

    Add texture to the stone walls using dry brush techniques.

  7. step 07

    Adjust the colors and values to create a cohesive and harmonious painting.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · cadmium red light · titanium white

Mix burnt umber and ivory black for the dark figures and shadows. Use raw sienna and yellow ochre for the warm tones of the wall. Add small amounts of cadmium red light to warm up certain areas.

techniques

  • ·chiaroscuro
  • ·dry brush
  • ·atmospheric perspective
  • ·blocking in
  • ·scumbling

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the atmospheric perspective and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a canvas with a medium texture to help create the rough texture of the stone. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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