apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Retrato de niño
Retrato de niño by Armando Montaner Valdueza

plate no. 2437

Retrato de niño

Armando Montaner Valdueza

oilRealismportraitportraitboyfigureclothingruffball
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and creating subtle skin tones. It will also provide practice in rendering fabrics and creating depth through value variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the boy's head, shoulders, and the ball.

  2. step 02

    Establish the background with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of color: skin tones, hair, clothing, and the ball.

  4. step 04

    Begin refining the skin tones, paying attention to highlights and shadows.

  5. step 05

    Add details to the hair, using short, broken brushstrokes.

  6. step 06

    Develop the clothing, focusing on the folds and textures.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final touches and highlights to the entire painting.

color palette

primary · titanium white · burnt umber · raw sienna · cadmium red

secondary · ultramarine blue · yellow ochre

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of burnt umber. Darker areas use more burnt umber and blue. The clothing is primarily a mix of burnt umber and blue, lightened with white.

techniques

  • ·portraiture
  • ·blending
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and making them look flat.
  • →Failing to create enough contrast between light and shadow.
  • →Ignoring the subtle color variations in the clothing and background.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy