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home·artworks·Retrat De Miquel Llambías Rosselló
Retrat De Miquel Llambías Rosselló by Joan Brull

plate no. 2774

Retrat De Miquel Llambías Rosselló

Joan Brull, 1882

oilRealismportraitportraitfiguremanclothingformal wearbow tie
some experience helpful

Recreating this portrait will help students develop skills in color mixing for skin tones and understanding how light and shadow define form. It will also improve their ability to capture likeness and create a convincing portrait.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of features.

  2. step 02

    Block in the background with a thin wash of brown and umber tones.

  3. step 03

    Establish the basic skin tones with a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Begin to define the shadows and highlights on the face, gradually building up the form.

  5. step 05

    Paint the dark clothing, focusing on the subtle variations in tone and texture.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, paying close attention to accuracy.

  7. step 07

    Refine the highlights and shadows throughout the painting to create a sense of depth.

  8. step 08

    Add final details and adjust colors as needed.

color palette

primary · titanium white · yellow ochre · burnt umber · ivory black

secondary · cadmium red · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber and a touch of blue to the skin tone mix. The dark clothing is primarily black with subtle variations achieved by adding umber or blue.

techniques

  • ·portrait painting
  • ·color mixing
  • ·value study
  • ·blending
  • ·glazing

common pitfalls

  • →Incorrect proportions
  • →muddy skin tones
  • →over-blending
  • →ignoring subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20)
  • ·oil paints (titanium white, yellow ochre, burnt umber, ivory black, cadmium red)
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·linseed oil
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·odorless mineral spirits
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for painting.

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oil painting for beginners →how to learn by studying the masters →
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