
plate no. 2774
Joan Brull, 1882
Recreating this portrait will help students develop skills in color mixing for skin tones and understanding how light and shadow define form. It will also improve their ability to capture likeness and create a convincing portrait.
technical profile
approach — 8 steps
Create a light sketch of the overall composition, paying attention to proportions and placement of features.
Block in the background with a thin wash of brown and umber tones.
Establish the basic skin tones with a mix of white, yellow ochre, and a touch of red.
Begin to define the shadows and highlights on the face, gradually building up the form.
Paint the dark clothing, focusing on the subtle variations in tone and texture.
Add details to the face, such as the eyes, nose, and mouth, paying close attention to accuracy.
Refine the highlights and shadows throughout the painting to create a sense of depth.
Add final details and adjust colors as needed.
color palette
primary · titanium white · yellow ochre · burnt umber · ivory black
secondary · cadmium red · ultramarine blue
Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber and a touch of blue to the skin tone mix. The dark clothing is primarily black with subtle variations achieved by adding umber or blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for painting.
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