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home·artworks·Resurrection of Christ
Resurrection of Christ by Samuel Dirksz van Hoogstraten

plate no. 4224

Resurrection of Christ

Samuel Dirksz van Hoogstraten, 1670

oilBaroquereligious paintingfigureangelsskycloudsreligioussoldiers
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective with glazes. It also provides practice in depicting dynamic poses and dramatic lighting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their relative positions, focusing on proportions and gesture.

  2. step 02

    Establish the overall composition and major areas of light and shadow with a thin wash of burnt umber.

  3. step 03

    Begin blocking in the local colors of the figures and drapery, paying attention to the light source.

  4. step 04

    Develop the forms of the figures by layering highlights and shadows, blending carefully.

  5. step 05

    Refine the details of the faces and hands, focusing on accurate anatomy and expression.

  6. step 06

    Add the background elements, using darker values and softer edges to create depth.

  7. step 07

    Glaze thin layers of color over the painting to unify the composition and enhance the luminosity.

  8. step 08

    Add final highlights and details to the figures and drapery to create a sense of realism.

color palette

primary · titanium white · yellow ochre · burnt umber · ivory black

secondary · cadmium red · ultramarine blue · raw sienna

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Create shadows by adding burnt umber and ivory black to the skin tone mixture. Use glazes of ultramarine blue and burnt umber to create atmospheric perspective in the background.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·chiaroscuro
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or abrupt transitions between light and shadow.
  • →Lack of depth in the background.
  • →Muddy or dull colors due to overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (titanium white, yellow ochre, burnt umber, ivory black, cadmium red, ultramarine blue, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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