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home·artworks·Repenting of St. Jerome, also called St. Jerome with Cardinal Hat
Repenting of St. Jerome, also called St. Jerome with Cardinal Hat by Georges de la Tour

plate no. 0908

Repenting of St. Jerome, also called St. Jerome with Cardinal Hat

Georges de la Tour, 1650

oil, canvasTenebrismreligious paintingfiguresainthatbookcrossrope
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering skin tones with subtle variations, and creating dramatic lighting effects using chiaroscuro. It will also teach how to create texture with brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main shapes and composition.

  2. step 02

    Establish the dark background using a mix of browns and blacks.

  3. step 03

    Block in the main areas of the figure, hat, book, and other objects with basic color tones.

  4. step 04

    Begin layering and blending colors to create the skin tones, paying attention to highlights and shadows.

  5. step 05

    Refine the details of the face, hands, and feet, adding wrinkles and texture.

  6. step 06

    Paint the red hat and robe, focusing on the folds and drapery.

  7. step 07

    Add the details of the book, cross, and rope, paying attention to their textures.

  8. step 08

    Adjust the overall lighting and contrast to create a dramatic effect.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre

Skin tones can be achieved by mixing burnt umber, raw sienna, and titanium white. Vary the proportions to create highlights and shadows. The red is achieved by mixing cadmium red with a touch of burnt umber to darken it.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overblending the skin tones, resulting in a flat appearance.
  • →Ignoring the subtle color variations in the shadows.
  • →Failing to capture the correct proportions of the figure.
  • →Making the red too bright and overpowering.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (#2, #4, #6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

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