apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Red reflection
Red reflection by Arkady Rylov

plate no. 0467

Red reflection

Arkady Rylov, 1928

oilSymbolismlandscapelaketreesreflectionlandscapefoliagesky
some experience helpful

Recreating this painting will help students understand color mixing for natural scenes and practice capturing reflections in water. It will also improve their ability to suggest detail with loose brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like the lake and trees.

  2. step 02

    Establish the main color blocks for the sky, water, and land using thin washes.

  3. step 03

    Begin building up layers of color in the trees and foliage, using a variety of greens, yellows, and blues.

  4. step 04

    Focus on capturing the reflections in the water, paying attention to the color and value shifts.

  5. step 05

    Add details to the foreground elements, such as the trees and grasses, using smaller brushes.

  6. step 06

    Refine the overall composition, adjusting colors and values as needed.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Let dry and add a varnish layer.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · sap green

secondary · alizarin crimson · titanium white

Mix greens by combining yellow ochre and ultramarine blue. Create the red reflections by mixing burnt sienna and alizarin crimson. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·color layering
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the loose, expressive brushstrokes.
  • →Making the reflections too literal and not capturing the subtle color shifts.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (sizes 2, 6, 8)
  • ·flat brushes (sizes 4, 10)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Experiment with different brush sizes to achieve a variety of textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull